Bailey Rae isn't a packaged commodity, having worked as a musician since she was 18.
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and earning 600k per year writing and singing those jingles-the brother knew how to work a hook and a stage show). They continue with the notion of "struggle": a soul artist has to pay their dues, pointing to the examples of Anita Baker giving up her dream for a time after being told she couldn't sing, and Luther Vandross' having spent 20 years writing jingles (they neatly sidestep all his years of honing his skills writing songs for other artists and the theater, and singing backup for David Bowie, Chaka Khan, Barbara Streisand, etc.
But here the part that intrigues me is the notion that there is a "pedigree" of spirituality and poverty that makes one a "true soul singer"-thus disincluding Jones and Stone-and that is implicitly paired with race-again disincluding Jones and Stone-to create something "natural" and "authentic". Well the British music hype machine is reknowned for its levels of enthusiasm that then invert and eat their own.
Interestingly the profile begins with the assertion that Bailey Rae had been compared to "branded" artists such as " Norah Jones and Joss Stone" but that Bailey Rae had a "pedigree" similar to soul singers of an earlier era. She doesn't see it as a defining factor, but that not being able to afford to go out to the cinema and other things meant that her family used their imagination a lot, writing songs and making up plays. My favorite parts on some of the record I've written are the wordless part.something that relates to the gospel singers-this wordless cry that came out of the church." The reportor continues, Franklin's and Anita Baker's families were "close-knit, but hard up" and then draws a parallel to Bailey Rae's upbringing where sometimes they had a "car" a "phone" or a "tv" but not on a regular basis. To wit: Bailey Rae like Aretha Franklin and Marvin Gaye grew up in the church, as Bailey Rae says "it was really important because it made me feel that music is a spiritual thing, and also that music kind of goes beyond words. One British entertainment show on BBC2, actually named " The Culture Show", did a profile of Bailey Rae that attempted a map of instigating factors for classic soul singers, creating analogies along the way to Bailey Rae. OK, but the reason why I was moved to write about Bailey Rae is some of the hype she's received. More people have heard of her since her Octoappearance on Saturday Night Live.
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While I'll download some of the free singles I don't actually keep all of them or listen to them with any frequency but this song was an exception. Like a lot of folks I first heard of her when iTunes offered the acoustic version of that single from her eponymous debut, as their free single of the week. The past 24 hours I've been looking at performances and videos by Corinne Bailey Rae, the British soul sensation whom one program touted as the second coming of Billie Holiday and compared to Lauryn Hill.Ĭorinne Bailey Rae is twenty-six years old, was born in Leeds to a mother who was a domestic worker, and recently hit the charts in the US with the single "Put Your Records On" and the latest hit "Like A Star" after signing a lucrative deal with EMI. From last weekend when I was felled by a big bad bug:Īs I am shut in this weekend trying to kick a respiratory bug, I've gotten hooked on.
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